Thanks to the generosity of the Fountain Pen Network member, Jared, I received set of ink samples. Among them were several vials of Rohrer and Klingner ink, which is a German brand that has recently become available in the US. I previously reviewed Morinda, which is a pretty, vibrant, candy-red ink. The second vial I opened was Verdigris, which is one of the more interesting inks I’ve had the pleasure of using.
Diamine Damson is the color a ninja fruit would wear when trying to sneak into an orchard under the cover of darkness. Named for fruit it resembles, Damson is a dark, dusky plum that turns nearly black when used in a wet-writing pen. In a dry-writing pen, it produces a washed-out gray-purple line. It’s a moderately saturated ink - neither as rich as other Diamine inks, like Imperial Purple, or as light as J.
Sailor Jentle Ultramarine is one of Sailor’s six new ink colors (the others being Apricot, Epinard, Grenade, Peche, and Sky High). I purchased samples of each, and Ultramarine is the first one I tested. Ultramarine is a unique color that sits on the spectrum between blue and indigo. One could call it blue-purple, but that wouldn’t quite do it justice.
Historically, ultramarine was an expensive pigment that was made by grinding up the gemstone lapis lazuli.
Thanks to the generosity of the Fountain Pen Network member, Jared, I received set of ink samples. Among them were several vials of Rohrer and Klingner ink, which is a German brand that has recently become available in the US. I was immediately attracted to the vial of Morinda, which is a pretty, vibrant candy-red ink. It is similar in color to J. Herbin Rouge Caroubier, but significantly more saturated and somewhat less prone to shading.
Sailor Jentle Blue Black is a very pleasant, easy to use, blue-black ink. It is a dark blue with tinges of black - exactly what I would expect from a blue-black ink, and exactly unlike the Parker Quink Blue Black I reviewed previously. It is a moderately wet ink, compared to the Parker Quink, and therefore writes with a bolder line. It is highly saturated and exhibits a medium level of shading in a fine-nibbed pen.
If you want to get someone’s attention, send them a letter written in Noodler’s Dragon’s Napalm ink. It’s the perfect ink for the task, as it is very close to the color of safety orange – that attention-getting hue that adorns traffic cones, the tips of toy guns, hunting caps, inmate jumpsuits, and the official state fungus of Ohio – the orange barrel.
It’s a vibrant, highly saturated, ink that produces a bright, solid line in a fine-nibbed pen.
Noodler’s has released the second in its line of inks that have been designed for flex nib pens. The high-shading Black Swan in English Roses continues the high level of quality set by its predecessor. In my review of Black Swan in Australian Roses, I praised the ink’s poetic nature, and English Roses delivers a similarly lyrical experience.
Where Australian Roses was violet-black with pink undertones, English Roses is an earthy red-brown with bright, poppy red undertones that peek out from time to time.
Parker Quink Permanent Blue Black is a workhorse of an ink that I’m sorry I waited this long to try out. First developed in the late 1920’s, it was regarded as a revolutionary ink that eliminated the need for blotting. It remains, to this day, one of the most popular fountain pen inks in production.
Parker’s version of blue-black is moderately saturated and allows for a modicum of shading in a fine nib.
Rating: 4.5
March 8, 2011
Traditional carbon inks were made with soot or lampblack mixed with gum arabic or another binder. The carbon particles would not fade over time, even when exposed to sunlight, and the ink was not harmful to paper. However, it was not waterproof, could smudge in humid environments, and was not at all fountain-pen friendly.
Platinum has re-engineered the carbon ink, though, to solve all of those problems.
Rating: 3.0
February 22, 2011
My first thought, upon opening the bottle of Noodler’s Baystate Blue, was “Holy cats, that’s blue.” It is not a subtle ink. Rather, it is an electric cobalt blue that positively jumps off the page. It’s highly saturated, as many Noodler’s inks tend to be, and it exhibits no shading. It simply lays down a solid, bright, blue line.
Baystate Blue has generated a bit of controversy lately.
